Do
a presentation based on the book's content, not just a signing where
you sit at a table. Nonfiction authors can speak on their book's topic
or plan an interactive activity based on the topic. Novelists can do a
presentation based on some aspect of the book's story or do a short
reading. Children's authors can read the book aloud, speak on the topic
of the book, and plan fun activities for kids. All authors can talk
about writing and publishing and take questions from the audience. Be
creative and plan something interesting!
Print
lots of bookmarks and handout several to all of the attendees so they
can share with others. If you print your bookmarks with uncoated paper
on the back side, you can sign the back of the bookmarks.
Encourage
attendees to bring their ebook reading device to the event. They can
download the ebook on the spot. You could even provide a laptop
computer where people can order the book if they don't have their ebook
reader with them, but you'll need to make certain that each person logs
out of their Amazon or other ebookstore account after using it.
You can "autograph" Kindle ebooks by using KindleGraph to send personalized inscriptions and signatures to the customer's Kindle ebook reader.
If
your ebook is available on the Nook store, you may be able to arrange
an event at a Barnes & Noble store. Last year B&N announced that
they were going to offer autographing services for Nook Color devices,
but it's hard to find any details on how to do it. Your local store
event manager may have information on autographing.
Remember
that you'll need to promote your event heavily. Suggested promotions
include press releases to local media, emails or evites to your friends
and local contacts, announcements on your blog and social media
accounts, and postcard invitations. Ask others to help spread the word.
Sunday, February 17, 2013
Sunday, February 10, 2013
Promote Your Book Through Events
I’m
a total extrovert and I know that not all authors fall into this
category. I have been honored and humbled by friends of mine who have
stepped forward and all on their own, set up book events and speaking
engagements on my behalf. I encourage folks, if they’re a bit shy, to
enlist their friends in helping promote their work. I have found that
friends like nothing better than to contribute to my success, which may
be in part, a reflection of the type of friend I am to others.
I
always go out of my way to ensure that my friends’ projects are
successful, and I think people remember that and want to return the
favor. When I go about scheduling a local event, I look to see how I can
contribute to the organization. Sometimes, it’s offering to donate $1
from my book sales at the event back to the organization. Other times, I
will tailor my presentation to their needs. Often, I’ll offer to give a
small writing workshop on a topic that’s salient to the group.
As
authors, we have big imaginations and large amounts of creativity. I
encourage authors to put on their creativity hats and use them when
designing their marketing campaigns. I will say that one of my first
books, which was about Katherine Stinson, the fourth woman in the US to
earn her pilot’s license in 1912, came out the month before 9/11. That
actually sucked because my target market for that book was female
pilots, many of whom lost their jobs as a result of 9/11 because
airplanes laid off a lot of pilots and the women were some of the first
to get laid off.
But
a funny thing happened out of that. I didn’t let the fact that those
women lost their jobs stop me. I just reached out and figured out that
male pilots, too, wanted my books, and they wanted to give them to their
daughters. Then, I discovered that there’s a whole lot of pilots who
have their private licenses and don’t fly for the airlines. And those
people do have money, because owning a private plane costs a lot of
money.
Once
I figured that out, I found out that almost every little dinky town in
the US has a little airport or airstrip, and there’s people hanging out
there all the time. And there are fly-ins and air shows all over the
country, all year long. You can see where this is going. Before long, I
was trading books for rides in small airplanes, and at each air show, I
met folks who introduced me to other folks.
Before
I knew what was happened, I was invited to go to the EAA annual
convention in Oshkosh, Wisconsin, where I was a featured speaker and had
a spot at the Author’s Table. Over 20,000 people come to that event
over a week’s time period. I made connections there to keep me busy for
the next year, and sold out two printings of that book. I still buy them
now on ebay and resell them.
Sunday, February 3, 2013
What you Should Not Include in your Book Proposal
One of the most successful features in Glamour magazine
is the “do’s and don’ts,” where photographs of people in stylish and
not-so-stylish clothing are compared. Why do readers like seeing these
photos? It’s easy to see what a style disaster is when you’re looking at
it, so that’s why I’m taking this approach in advising authors what NOT
to include in a book proposal. There are many tips on what should be
part of a book proposal but I believe authors would benefit from
learning what should not be included in a proposal.
1.Never Say Your Book is Unique and One of a Kind
While
your book may be full of useful information and be well-written,
editors don’t want to hear you insist it’s so special that there is no
other book available on the same topic. When evaluating a proposal,
editors need to see whether similar books have sold well. If you say
there isn’t any other comparable book, the editor will have to do some
research to find related titles. Unless you’re writing a memoir, assume
that there are related titles and spell out how your book differs from
these books. For example, if your book is about 401(k) plans, say your
book will cover strategies for everyone from new employees to retirees.
Explain that your book is more comprehensive or includes real-life
examples but saying that there’s never been a book like yours is not
helpful.
2. Don’t Talk about Launching Marketing Efforts When The Book is Published
Just
a few years ago, authors began marketing books after they were
published. However, in today’s 24/7 competitive arena, marketing is
almost as important as editorial content. You may still be writing your
book but you have to think about marketing well before your book is
published. Never say, “When the book is published, I will start
blogging, Tweeting or design a website…” You need to start building your
community months or even a year before your book’s pub date. Begin
collecting names and email addresses well before your book is completed.
Build up your social media platform (Facebook, Twitter, LinkedIn) so
that your proposal includes a specific bulleted list of metrics such as
FB followers, newsletter subscribers, unique monthly visitors to your
website, a calendar of recent speaking engagements, etc. This detailed
information could persuade a publisher to take on your project.
3.Never Say Your Title or Manuscript is Final
If
you’re self-publishing, you can choose your title and control
everything from content to design. However, if you’re hoping to work
with a larger publisher, you need to be flexible about your title and
content. While you may be certain that your title is persuasive,
publishers have more experience so you shouldn’t say that you’re
unwilling to consider another title. Most editors will try to include
some of your words or phrases but titles change frequently, based on the
development of the manuscript as well as input from marketers and sales
reps. It’s also important that you be receptive to editorial direction.
Editors don’t want to edit or have you rewrite chapters on a whim.
Usually, editorial feedback is designed to improve your manuscript. You
may say that you don’t want to make any changes but if your manuscript
would end up being an 800 page book, chances are your editor will insist
on cutting it down to a more reasonable page count!
4. Don’t Over Promise Endorsements or Publicity Support
If
people have confirmed that they will provide endorsements (back-cover
blurs), include their names in the proposal, especially if the people
are well known. But don’t say that you expect Bill Clinton, Oprah
Winfrey and Stephen King to endorse your book. Endorsements are useful
and most books will have several on the back cover but promising
celebrity endorsements isn’t a smart strategy. Editors probably won’t
believe you and consequently may be skeptical of other promises
contained in your proposal. The same is true of potential media
appearances. Be realistic. If you have appeared on radio or TV, list
the programs in your proposal. There’s a strong possibility that you
will be asked to appear on the programs again to promote your book but
never claim that you have some “in” to a national show unless you have
an email confirmation that can be included in your proposal.
5. Don’t Fudge the Numbers
When
you include information about your background or your previous books,
be truthful. It’s easy to check on sales figures so include accurate
sales data about your other works. If there’s an explanation for a
particularly low sales number, you can include it. Perhaps, you sold
books off your website, rather than having sales go through accounts.
That’s something an editor will want to know. If you haven’t done much
public speaking, don’t say you’re an experienced speaker who has given
keynote addresses. If you have media experience, be prepared to offer
video or a link to a recent appearance. With today’s technology and
available resources making “vetting” easier, honesty is the best policy.
Believe me, I will often Google a prospective author. On several
occasions, I’ve turned down proposals because of concerns, i.e.
complaints about a financial planner or bankruptcy hearings for an
author writing about personal finance!
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